Archive for the 'Critical Studies' Category
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A selection of short films about poverty and alternative approaches to welfare reform such as a Citizens Basic Income.
Guest Speaker:
Ailsa McKay, Professor of Economics, Glasgow Caledonian University
1.30pm – 3.30pm
Sat 19th March 2011
Free Admission
Screening & Discussing:
Sylvain Froidevaux
“Onesimus Paradox and the Basic Income as A New Economy Alternative”
Slavoj Zizek at the RSA
“First As Tragedy, Then as Farce: The economic crisis and the end of global capitalism”
Making a Difference –
“Tae Sail On Them Is No Their Fate – Stories from the Fight Against Poverty in Scotland”
Part of the 2011 Glasgow Reshuffle…
The Pearce Institute
840 860 Govan Road
Govan
Glasgow
G51 3UU
0141 445 6007
0141 440 1937
http://www.citystrolls.com/
http://www.documentfilmfestival.org/
http://www.commonperspectives.org/
Passing through witte de withstraat yesterday saw this exhibition, but unfortunately didn’t have time to go in. However, via retweet from v2, see that they’re putting their publication online:
Also in the ‘doing is thinking’ vein: http://www.dexigner.com/news/16225
It sometimes feels like everyone is talking about data visualisation, but lets for a minute look back rather than around at both the peerless work of Edward Tufte, and the social/political/communicative projects of Otto and Marie Neurath, and collborators like Gerd Arntz. I like the pictogram on the left, it looks like facebook on a bin-bag.
Via manystuff.org, D-Crit lectures videos with Rick Poynor, “Curating ‘Uncanny: Surrealism and Graphic Design’”, Rob Giampietro, “On Design, Distribution, and Circulation”, David Reinfurt, “The First Rule is Always Production, Never Documentation. The Second Rule is There Are No Rules”, and more…
These initial forays into a web-based Afghan culture museum, which I came across via this article, caught my attention, as it overlaps with some other interesting stuff I’ve come across recently about curating, museums, archives and how we create and propagate collective ‘memories’ in a digital/networked context.
Yet another quick link to a great video resource on the AA website. As with so much, it’s via Manystuff.
(This blog post should be read aloud whilst listening to this).
This weekend I was looking through the highly impressive Ubuweb and stumbled upon this film, Production of Meaning, by Adbusters. I’m interested in this because while I broadly agree with the sentiment, I was really struck by how outdated and simplistic the analysis seemed to be. I used to buy and read Adbusters and have been away from it for a while, but wonder whether post Naomi Klein and No Logo, the arguments need to be more subversive and more sophisticated in equal measure.
The second benefit of roaming Ubuweb was that I came across a link to this download of the entire Ken Nordine album ‘Colors’, which wholeheartedly satisfied my jazz/colour analysis needs.
Couple of interesting posts via manystuff.org. Firstly a new exhibition by M/M of Paris, the favoured graphic designers of any altermodernist. Secondly, an intriguing looking publication on ‘Image Aggregation‘. I haven’t read it yet, but it looks interesting, and (i think, probably) ties to an interest in the ‘semantic web‘, ‘aggregation’ (in general) and new approaches to tagging and indexing.
For their August journal Embassy Gallery in Edinburgh curated an online discussion about the impact of the Internet* on visual culture, the online version of which can be accessed here.
* We were getting something proof-read the other day, and apparently the Internet should have a capital ‘I’, like God.
e-flux, and its associated journal, is an important source of critique and opinion on art and culture. Founded by Anton Vidokle, and accessible for free via web/PDF (aside: will the proliferation of ‘devices’ really herald the demise of print, or if it does come, will it not be at the hands of this kind of quality content, readily and willingly distributed for free via online platforms?*) it constitutes part of his work as correlator, aggregator, agitator and editor of various art forums, including the highly intriguing unitednationsplaza — an educational and curatorial offshoot of a manifesta that never was. A good intro to his work is this book, and his work is closely tied to contemporary thinking around ‘education’ and its intersection with art and creativity.
* Don’t think the demise of print is going to happen soon/ever, just raising it as a question.
I don’t often write posts about the book and website of the week (see right), but these two are worth a special mention. Uncorporate Identity, if I may be subjective for a moment, is the current book to read about visual language, identity (crisis), urbanism, politics and design – erudite and far-sighted, an awkward and exhilarating ride. DxCrit is a very useful design criticism resource, allied to the design criticism course at SVA in NYC. A video from that below, on failure and design.
Crossing the Line: The 2010 D-Crit Conference: Peter Hall from D-Crit on Vimeo.
This post by Michalis Pichler, asks some interesting questions of appropriation. Courtesy of the very nice Donlon Books.

Perhaps I have witnessed a real life manifestation of the effects of THE INTERNET. Has ‘power-browsing’ (mentioned previously in Neil’s Schizoid Reader posts) now escaped from the screen and trying to strangle your ability to engage, even when you are looking at work on your feet? Benjamin was worried that cinema might result in apathy amongst viewers, as they surrendered themselves to the screen, so what now? Are our search-engine based expectations resulting in apathy unless something is as easy to engage with as a the first link on a browser?
There is a huge amount of reading to be had on these topics, if you can set your mind to a read whole article. Micheal Punt and Robert Pepperal acknowledge in their book The Postdigital Membrane that people rarely read non-ficton in a linear fashion. “We do not expect that the whole book will be essential reading for all readers, nor to we expect the chapters to be read in sequence (Who does that these days anyway, who ever did?)”
I’d really like to get anyone interested together to talk about this, as my ‘mind map’ style blog post feels a little futile, or maybe my Google Generation tendencies prevent me from engaging enough to write a proper article. Discuss.
A couple of great links sent over by Sarah Tripp. Firstly the video above which provides some very interesting (and entertaining) ideas to digest. Meanwhile, this article in Frieze magazine looks at relationships between conceptual art and the design of experiences. Though I have some reservations about the connections being made in this article, (and the arguments being drawn from them), both the video and article are interesting at a time when the less informed are throwing the word ‘conceptual’ around with a lack of thought in assessments of various different design courses and degree shows, as the thin end of a thick wedge for needlessly polarising ‘ideas’ from the execution.

With the support of Uninstal, as part of a two day exploration of critical urban praxis with radical sound art collective Ultra-Red, The Strickland Distribution are hosting a public walk on Sunday 9th May. The walk is intended as a means to investigate contemporary urban dispossession as a consequence of gentrification in light of historical forms of primitive accumulation in the city. Led by independent writer and researcher Neil Gray, in collaboration with a range of activists and artists and housing and community groups, the walk will take a digressive route through George Square, the branded ‘Merchant City’, Glasgow Green, and the Barras Market. In a form of live critical praxis, the walk will aim to illuminate such shadowed areas as the ‘Cancer of Empire’ and the dead hand of Victoriana; the secret of primitive accumulation, past and present; ‘the Selfridges effect’ and the rent-gap; the ‘arts-led property strategy’ and affective labour; slums, tower blocks and penthouses, and the continuing crisis in housing; and the neoliberal pulverisation and commodification of social spaces.
The title of the walk refers to ‘Shadow’ and his ‘Midnight scenes and social photographs’, a paternalist Victorian account of Glasgow slums written in 1858. In the Shadow of Shadow, we propose instead an investigative ‘history from below’; a critical exploration of gentrification set in the historical contexts of the ‘second city of Empire’ and contemporary city-building. While Victorian paternalists like Shadow promoted top-down, moralistic solutions to mitigate the problems of the urban poor, we know that social change only ever comes with broad-based organising from below. Participating groups such as the Scottish Tenants Organisation, Glasgow Games Monitor 2014, and the Glasgow Residents Network are already active in Glasgow, and this walk aims to provide the means for critical self-reflection and collaborative exchange, as well as instigating and sustaining wider solidarity and activity between anti-gentrification researchers, activists, community groups, planners and artists in Glasgow. We welcome all those with an interest in this project.
Please note that the walk will be audio recorded by Ultra-Red. Recordings from the event will then be used the following Sunday 16th May in sound workshops that explore the issues raised on the walk and the possibilities for new and ongoing forms of organisation and resistance to gentrification in Glasgow.
Day 1: Sunday 9th May. Meet 1pm at Queen Victoria statue (with horse) George Square.
A public walk from George Square to the Barras market, bringing in contributions from researchers, activists and artists in a form of live critical praxis (time: 1-4pm approx.).
Followed by a screening from Document’s archive of ‘Drumchapel – The Frustration Game’ (20 mins, de-classed elements, 1989) and discussion (time: 4-7pm approx.) in Laurie’s Bar, 34-36 King Street, Glasgow, G1 5QT Map: http://tinyurl.com/34v9n8z
Day 2: Sunday 16th May, 1-5pm, Kinning Park Complex, 40 Cornwall Street, Glasgow, G41 1AQ Map: http://tinyurl.com/32x7y2h
A practical sound workshop with Ultra-Red bringing together walk participants to discuss the issues raised during the walk. The aim of these workshops is to facilitate a deeper understanding of gentrification, and to instigate and sustain wider solidarity and activity between anti-gentrification researchers, activists, community groups and artists in Glasgow.
Participants include:
Neil Gray (writer and researcher)
Leigh French (co-editor, Variant magazine)
Simon Yuill (artist and writer)
Libby Porter (University of Glasgow, Department of Urban Studies; Planners Network UK)
John Cousins (radical researcher and historian)
Links/Groups:
The Strickland Distribution: http://www.strickdistro.org
Uninstal: http://www.arika.org.uk
Ultra-Red: http://www.ultrared.org/directory.html
Document – International Documentary Film Festival : http://www.docfilmfest.org.uk
Variant: http://www.variant.org.uk
PNUK: http://www.pnuk.org.uk
Scottish Tenants Organisation: http://www.scottishtenants.org.uk/about_us.htm
Glasgow Games Monitor 2014: http://gamesmonitor2014.wordpress.com
Glasgow Residents Network: http://glasgowresidents.wordpress.com
The Burgh Angel: http://burghangel.wordpress.com
East End Eye: http://gamesmonitor2014.wordpress.com/east-end-eye-paper/
South Side Crane: http://southsidecrane.wordpress.com/category/events/
Some background research by Neil Gray from Variant magazine:
‘Constructing Neoliberal Glasgow: The Privatisation of Space’
http://www.variant.org.uk/25texts/neolib25.html
‘The Clyde Gateway: A New Urban Frontier?’
http://www.variant.org.uk/33texts/3_V33gray.html
‘Glasgow’s Merchant City: An Artist-Led Property Strategy’
http://www.variant.org.uk/34texts/mechantcity34.html
‘The Tyranny of Rent’
http://www.variant.org.uk/37texts/13RentTyranny.html
This slideshow is to accompany a talk by Dr Neil Mulholland of ECA on altermodernism, in relation to postmodernism and modernmodernism. Thought i’d post it as it’s possibly retrospectively of use in the Post(er) Modernism project, if you can lay your hands on a time machine or fashion one from some aluminium foil and omnicrom.
Neil Mulholland not only has an excellent first name but is a very interesting writer/talker/practitioner, and doing some joint gsa/eca projects is on our collective radar. Note-to-self; must get back on the case with this…












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