Monthly Archive for June, 2010

Everything Matters

“If One Thing Matters, Everything Matters had a catalogue designed by Tillmans, which took the form of a chronological archive of more than 2,400 pictures, all reproduced at 6cm x 4cm, including most of those he had published or exhibited and a lot more that he said were important to him, starting with those he had made of the moon at the age of 10, by putting the camera against the eye of his telescope. In their profusion, they fostered the impression that Tillmans was bent on collecting every picture he’d ever taken. His intention, he explains now, was not that at all. “I don’t mean it as everything is the same, but that everything has the potential to be something, and that one should not close one’s eyes, just because we have preformed ideas about a value system – this is higher, this is lower. One shouldn’t use it in reverse, as ‘anything goes’.”

via Wolfgang Tillmans: the lightness of being | Art and design | The Guardian .

Try Any Ale

The National Design Triennial entitled ‘Why Design Now’ is currently taking place at the Cooper-Hewitt, National Design Museum.

Silent Witness

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Silent Witnesses: Graphic Novels Without Words
Curated by Darren Diss

Venue: Danes Terrace, Lincoln
29 May 2010 to 30 Aug 2010
Admission price: free

This exhibition brings together the work of internationally recognised artists and illustrators from around the world working in Graphic Novel form. Spanning publications from the early twentieth century to the present day, the works contained in the exhibition are distinct in that all use the capacity of images alone to communicate narrative, functioning entirely without the use of text.

The exhibition celebrates the book form and in particular the Graphic Novel as an increasingly popular medium for artists and explores its enduring appeal to readers of all ages. By focussing on works without text it examines the underlying structure and mechanics of developing a Graphic Novel, exposing it as a unique art form. It looks at the Novel in the true sense, as an extended sequence conveying a narrative. The show includes preparation and working drawings, writings, flat plans, sketch books and character studies and associated works alongside complete book-works to reveal the various developmental stages in creating a Graphic Novel.

The exhibition combines works from a wide range of cultural contexts, from modern popular Graphic Novels, with scratchboard images by Eric Drooker produced for his novel ‘Flood’, to woodcuts by Frans Masereel for his his 1925 work ‘Die Stadt’, to original drawings by Sara Varon for her well loved books, ‘Sweater Weather’, ‘Robo and Hund’ and ‘Chicken and Cat’. Also in the show will be a large scale flat-print version of ‘A-Z’ by Lars Arrhenius, a novel produced on the iconic A-Z map of London. Shown in print form it allows the viewer to scan the intersecting narratives sewn through the map in a single image, creating ever new readings.

Works for the exhibition have been loaned to The Collection from the British Museum, Moderna Museet, Stockholm, Klinspor Museum, Offenbach, Scott Eder Gallery, New York, and from the exhibiting artists.

The show’s curator, Darren Diss, is an established illustrator and Senior Lecturer in Illustration at The University of Lincoln. He has a specialist academic research interest in Textless Narratives.

Design Interactions Show 2010

Design Interactions Show 2010, online. RCA Show 2 on till next weekend.

Power Browsing at New Blood

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Perhaps I have witnessed a real life manifestation of the effects of THE INTERNET. Has ‘power-browsing’ (mentioned previously in Neil’s Schizoid Reader posts) now escaped from the screen and trying to strangle your ability to engage, even when you are looking at work on your feet? Benjamin was worried that cinema might result in apathy amongst viewers, as they surrendered themselves to the screen, so what now? Are our search-engine based expectations resulting in apathy unless something is as easy to engage with as a the first link on a browser?

There is a huge amount of reading to be had on these topics, if you can set your mind to a read whole article. Micheal Punt and Robert Pepperal acknowledge in their book The Postdigital Membrane that people rarely read non-ficton in a linear fashion. “We do not expect that the whole book will be essential reading for all readers, nor to we expect the chapters to be read in sequence (Who does that these days anyway, who ever did?)”

I’d really like to get anyone interested together to talk about this, as my ‘mind map’ style blog post feels a little futile, or maybe my Google Generation tendencies prevent me from engaging enough to write a proper article. Discuss.

Experimental Jetset at OFFSET 2009

Talks from last years OFFSET festival now online. This years festival here: http://iloveoffset.com/

Parallel Motion

More from the Parallel School.

Photographer in Residence

Opportunity to be Photographer in Residence with the National Theatre of Scotland.

“The newspaper dismissed this [design] idea as ‘art’, and to us, that is an insult…”

A couple of great links sent over by Sarah Tripp. Firstly the video above which provides some very interesting (and entertaining) ideas to digest. Meanwhile, this article in Frieze magazine looks at relationships between conceptual art and the design of experiences. Though I have some reservations about the connections being made in this article, (and the arguments being drawn from them), both the video and article are interesting at a time when the less informed are throwing the word ‘conceptual’ around with a lack of thought in assessments of various different design courses and degree shows, as the thin end of a thick wedge for needlessly polarising ‘ideas’ from the execution.

MFA

Definitely head over to the Glue Factory for MFA degree show, some great work in an unusual venue (which I gather wasn’t their original choice but there is some comments about that on their blog.) I haven’t been to the CCA yet for the other part but I’m interested to see the difference in the work between venues. I particularly liked Emily Donnini’s sound installation which had me walking round in circles to the amusement of the invigilator.

Anyway, second and hopefully less shallow post to follow…

It’s Not Their Logo, It’s Your Logo

As sure as a brand isn’t what the company says it is, it’s what ‘you’ say it is,  this logo competition from greenpeace shows how little ownership a company has over its own (supposed) most prized and valuable asset — its corporate identity.

Man Tricks Woman into Head Squashing Machine With Promise of Closer Examination of Screen Mesh Pattern

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Happening in Glasgow, Poster Club are a multi-disciplinary group interested in the form of the poster, and art, design, illustration and graphics.

Treasures

GSA’s second most prolific bloggers have launched a great new blog with the distinct theme of the Treasures of GSA Library, to highlight the special and rare book collections.

Cell, Cell, Cell…

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More on Death by Design.

Broken Imaginations

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In what appears to be a mass collective failure of imagination the rash of designer world-cup wallcharts is now upon us. At least this one is for a relevant charity, rather than just self-promotion.

AntiFoto

AntiFoto starts where photography ends, and starts again.

Anti-social Networks

There’s a new Degree Shows 2010 group on central station, which you can join up to, and could be a good way to make links with other groups of graduating students, and circulate news and information about the degree show, (he said, stating the bleedin’ obvious). If you’re about to leave us don’t forget to join up to the painful sounding GSAhub too.