Archive for the 'Print' Category

Yr1 ComDes London Study Trip 07-10 December 2015

Term 1 | Session 2015/16

1st Year Department of Communication Design

London Study Trip

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Image / Steven Gribben, Yr1 ComDes

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A long time ago (only week 12 of Term 1) there was once a poor group of Year 1 Communication Design students from The Glasgow School of Art. They lived in a little village known as Glasgow. They often heard stories about a far away place called London where everybody was rich and the streets were paved with gold. Then came a great storm but the students were determined to go there and dig up some cool practitioners to share thoughts and inspiration. When they reached the big city, they found their own accommodation, navigated hundreds of people on the underground, arrived at all visits on time and asked relevant and insightful questions.

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Here is the list of noble practitioners who entertained us /

Tuesday 08 December

VISIT 10.00am

SCRIBERIA

35 Tileyard Studios, Tileyard Road, London N7 9AH

http://www.scriberia.co.uk/

U Caledonian Road

Contact / Giulia Vaccari

t 020 7278 7976

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Big thanks to the Scriberia team who have a unique offering of visual communication, illustration and animation. Kamilla wrote the following piece /

Blood, Sweat and Tea(rs)- offers the neon sign above Scriberia’s kitchen area cheerfully-
There is a certain welcoming and inspiring, yet very busy atmosphere at Scriberia, permeating the whole illustration studio as we step in from outside, placing our jackets (all soaked up with rain) on the sofa. Scribellings and sketches on the walls, freshly served tea on the table, bookshelves packed up with all kinds of illustrated publications – all these – enthralling for our “young delegation” of ComDes students.

After the first attempts to get back to Earth from this ecstatic visual state, we are then invited to a round-table discussion about the company and the role of being an illustrator nowadays.
Chris shows us some of their recent projects, tells us the company’s creative approach, and gives us some advice on future illustration work while we listen to him mesmerised.

The discussion is cheerful, the studio is well-equipped and with this joyful first impression of a “bit of creative London” we are then heading off in high spirits, bearing the secret thought in mind that it would be indeed very nice to work in an inspiring environment like this.

Kamilla Hu-Yang, Yr1 ComDes

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Wednesday 09 December

VISIT 10.30am

Fran Gordon

The Royal College of Art

Dyson Building

1 Hester Road

Battersea

SW11 4AN

frangordon@hotmail.co.uk

frangordon.co.uk

U South Kensington and a lovely walk

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Fran gave the students a tour of the impressive printmaking facilities in the Dyson Building (very shiny and new). She has started the first of two years at the RCA and is loving the freedom to make images. The course is full on and she is loving the new challenges that come with being completely self motivated. Fran was kind enough to show the students some of her sketch books which were considered and quietly powerful. Very interested to see how her work develops when she travels to Canada in 2016. Thanks Fran.

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VISIT 2.30pm

FUEL Design & Publishing

33 Fournier Street, London E1 6QE

http://fuel-design.com/

U Aldgate East

Contact / Damon Murray and Stephen Sorrell

t 020 7377 2697

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Fantastic studio in the historic quarter of Spitalfields (just off Brick Lane). Stephen and Damon were chatting away with the students when I arrived (took a wrong turning). Gilbert and George opposite and Tracey Emin just along the road. FUEL were founded in 1991 and are famous for their work in print (see Russian Criminal Tattoo series). They have also produced and directed short films, identities, film titles and TV commercials (see Levis twisted to fit). Great insight into a working process that relies on discussion (very few scribbles) – it has to sound right before they commit to visuals. Working with Tracey Emin presented its own challenges in that she does not like the design to detract from her work – design elements have to complement in a clean and understated way. Engaging, humble at times, generous and warm.

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Thursday 10 December

VISIT 10.30am

HEART Illustration Agency

Top Floor, 100 De Beauvoir Road, London N1 4EN

http://www.heartagency.com/

U Dalston Kingsland

Contact / Darrel Rees

t 020 7254 5558

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An illustrious list of names on the door buzzer raised the anticipation for this visit. Up a flight of stairs to an open plan loft studio including Eye Magazine and a number of notable creatives. Darrel met us at the top of the stairs and chatted to us at a large table in the middle of the studio. A lovely space with just the right amount of activity going on in the background to create a murmur, not a distraction. Valuable knowledge from the professional world of illustration – where commissions come from, how to put together a portfolio that resonates, how to keep busy when the phone doesn’t ring, managing workflow and the advantages of having an agent. I like the way Heart operates like an extended family with social events organised to bring all the illustrators on their books together to chat and share. Darrel has the overview, ensuring cohesion between illustrator and client. The printed samples provided were a mixture of promotional pieces and publications – The Ancient Mariner by Samuel Taylor Coleridge being a beautifully printed example (look out for other examples of Beat produced by Heart Illustration Agency). Darrel sent me an email a few days after the visit — “Hi  Michael, Just wanted to say it was a pleasure to meet you (again) and your very nice bunch of students. I really hope the visit was of some interest/help to them, even if it’s just seeing inspiring work.”

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VISIT 4.00pm

FITZROY & FINN

Studio 1, Albion Buildings, 1 Back Hill, London EC1R 5HT

met at Betsey Trotwood, 56 Farringdon Road, London EC1R 3BL

http://www.fitzroyandfinn.co.uk/

U Farringdon

Contacts / Paul Finn and Alistair Hall

t 020 7833 4110

An outstanding hour of chat (starting off in the Betsey Trottwood) with Paul Finn (of Fitzroy & Finn) and Alistair Hall (of We Made This Ltd) then moving across the road to their bijou studio. They share the space with David Pearson the absurdly talented book designer who was out on business unfortunately (David designed the audacious Penguin cover for Nineteen Eighty-Four, you know the one? — the title is cleverly redacted). As I glanced around the studio I could see D&AD annuals (hot off the press), other classic Penguin Books, design guidelines for the BBC website, A Practice For Everyday Life‘s “The Life and Opinions of Tristram Shandy”, a book about Brazilian concrete poets — all lovely stuff. It turned into a quality double act with Paul and Alistair trading stories about their work and philosophy. The best bit was a 5min, 4min, 3min, 2min, 1min countdown of their greatest hits described in a brilliant non-stop duologue. Heartening to see that with a bit of passion and skill, small can still be beautiful.

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See the Yr1 typographic safari HERE

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Extempore Printing — Talk: Tue 13 Oct, 5pm at SWG3

Studio 223 are excited to announce their second resident in The Press, Gareth Lindsay, who will be discussing some of his work and his intentions for the residency during an informal chat at Studio 223 in SWG3. Gareth graduated from Communication Design at GSA in 2013 and lives in London. He is a freelance designer working with Europa, The Wire and most recently Housmans radical bookshop in Kings X. Through these various roles, Gareth works on books, booklets & leaflets, signing and shopfronts, exhibition design, magazine layout, various printed ephemera and even websites. More marginal activities include amateur cabinet making, sporadic lettering and minimal amounts of writing. Guests are welcome to join us after Gareth’s talk for a Pizza Party and Talks from the artists and designers who work in the studios at SWG3.

Source: Extempore Printing Tickets, Glasgow | Eventbrite

Monocle Discussion on Magazines

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Tyler Brûlé hosts a special live magazine discussion with some of the industry’s most revered figures. Gert Jonkers of ‘Fantastic Man’, editor of ‘Paris Match’ Olivier Royant, media strategist Ian Birch and world-renowned graphic designer Erik Spiekermann all appear before a studio audience.

Interesting discussion on magazines here.

Printshop!

PRINTSHOP! is open to the public from 12-5pm Tuesday – Sunday for people to get creative and make and display prints, and will also play host to a series of exciting free weekend workshops focused on screen printing, letterpress and book binding all devised and led by a host of different artists makers and designers. As part of the exhibition, a collaborative artwork produced by Edwin Pickstone and Ciara Phillips will also be on show. Printshop! Workshops All workshops are free and are on a drop-in basis. No booking is required, if sessions are busy places will be given on a first come, first served basis.

Sat 15 & Sun 16 August – Letterpress print workshop with Edwin Pickstone

Sat 22 & Sun 23 August – Screen Printing workshop with Zephyr Liddell & Ben Ashton

Sat 29 & Sun 30 August – Book Binding workshop with Cristina Garriga of My Bookcase

Source: Printshop!

Google Vol. 1

A volume containing the entire dictionary represented by the first image result returned by Google images for each word. Review by Daniel Bennewith Gray.

Blip Blip Blip

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Good friend of the department, Ciara Philips, and viscomdes person Edwin Pickstone, are presenting work at Blip Blip Blip in Leeds this week. The doubles series asks a mid career artist to invite another artist, with whom they have some form of educational or artistic relationship, to make an exhibition with them. In this sixth instalment of the series Ciara Phillips has invited Edwin Pickstone to produce a new collaborative work that will line the walls of the gallery.

Runs 14/05/15 – 29/05/15

Private View: 6-8pm Wednesday 13th May / More info here.

Editorial Bang

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The following article, by Rick Poyner, may be of interest to anyone doing the ‘editorial’ brief in graphics at the moment.

“Bang’s startlingly unorthodox art direction raises questions about why mainstream women’s magazines look as they do, and about the manipulative view of their readers that these doggedly persistent publishing and design conventions so readily enshrine.”

Yr1 ComDes London Study Trip 08-11 December 2014

Tuesday 09 December

VISIT 10.30am

HAT-TRICK DESIGN

93 Great Suffolk Street, London SE1 0BX

http://www.hat-trickdesign.co.uk/

U Borough

Contact / Alex Swatridge  alex@hat-trickdesign.co.uk

t 020 7620 0272

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Within easy walking distance from Borough – a mixture of large and small scale projects – Royal Mail stamps for the Olympic Games versus hoardings for big property developers – print examples on the glass board room table to peruse – exaggerated book format for Centre Point – 60s inspired textures and patterns beautifully printed – architectural images from Paul Grundy – clean sleek studio – small team of one director (Gareth Howat, co-founder) and five designers – they like to keep themselves busy and currently have 45 projects in progress – a selection of lovely print samples and awards placed around the boardroom – they have been very successful in ‘tickling’ our minds

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VISIT 12.30pm

REPRESENT

1st Floor, 5 Back Hill, London EC1R 5EN

http://www.represent.uk.com/

U Chancery Lane

Contact / Mike Radcliffe  mike@represent.uk.com

t 020 7278 7272

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Much talked about agent with excellent portfolio advice for students – shop front leads into neat office with receptionist, gallery space and funky seating area (we all squashed in) – pared back PDF presentation with top tips — try and build up a number of internships for the experience (it will be hard as some companies do not pay students on work placements) – this will help build a rapport and a chemistry – “keep your portfolio simple” – “be proud of what you do” – be well presented, polite and on time if you have an interview – Mike noted that attitude is more important than skill level (things have moved on from five years ago) – try to develop your people skills (warmer skills) – avoid the wet kipper handshake – Mike is open and engaging – he is keen to make links with The School of Art – nice cup of tea

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VISIT 12.30pm

NEW FUTURE GRAPHIC

54-58 Tanner Street, London SE1 3PH

http://www.newfuturegraphic.co.uk/

U London Bridge

Contact / Gareth White  gareth@newfuturegraphic.co.uk

t 020 7403 0417

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New Future Graphic: a vibrant meeting room and studio space, we were greeted by Gareth White and his energetic studio dog who gave us lots of advice and honest insight into their growing business. The studio grew from the early days producing all the illustration in-house to now commissioning photography and illustration for the project (currently they are the worldwide creative agency for Clarks shoes). They also collaborate with clients and suppliers to bring new products to the market (by bringing together a printer and tailor) which challenges their role as designer and client. There were also lots of practical tips for students and graduates (use mail chimp to monitor your own self promotion) and valuable lessons learned along the way (assumption is the mother of fuckumption). All delivered effortlessly while multi-tasking playing fetch with the dog. Lovely. — Emma Keogh

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VISIT 4.00pm

PENTAGRAM

11 Needham Road, London W11 2RP

http://www.pentagram.com/work/#/all/all/newest/

U Notting Hill

Contact / Rhian Edwards and Angus Hyland  edwards@pentagram.com

t 020 7229 3477

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We were welcomed into the big meeting space to the left of reception – I wonder who has sat around this table since 1972? – Angus presented his “show and tell” PDF that he had shared with the other Pentagram partners that week – hushed cathedral atmosphere – the presentation was chatty and engaging – content included branding work for Mulberry, ambitious new publishing project ‘Monarchs’ for Penguin (this included the options rejected by the client – all lovely) – crafted typography, carefully commissioned illustration (including Marion Deuchars etc.) and crisp gold foil blocking – he also showed some of his own geometric compositions used as backgrounds for Cass Art packaging (Glasgow shop is located on Queen Street) – when asked about the difference between American and UK design (“Le Style Anglais”), Angus suggested it was more about attitude (look at the work of New York partner Paula Scher for comparison) – when speaking at The School of Art recently, Paula said “fake your way through something three times, you become an expert”

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Wednesday 10 December

VISIT 10.00am

BRAND UNION

6 Brewhouse Yard, London EC1V 4DG

http://www.brandunion.com/

U Barbican

Contact / Clare Styles  Clare.Styles@brandunion.com

t 020 7559 7000

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Clare met us in reception and was super friendly (I detected a hint of a north of England accent) – amazing contemporary offices – selection of 2000 era songs floating across large open plan studio (was that “A Song For The Lovers” Richard Ashcroft?) – lively, young, vibrant – lots of ‘break out’ booths with meetings going on – floor space is divided into five teams with Clare heading up one of them – confident and relaxed presentation in mezzanine meeting area – she took us through their Euro 2020 pitch which had been unsuccessful – daunting to think that her team worked solidly for around two weeks in addition to the fee paying work to produce three slick solutions – the cutting room floor often gives you the best insight into the level of creativity – despite losing the pitch, Clare was satisfied with the quality of the thinking and the attitude behind the work – a great studio for a first work placement – big thanks to our friend Lynne Devine for setting up the visit – wow!

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VISIT 12.45pm

STUDIO FERNANDO GUTIÉRREZ

107 Great Western Studios, 65 Alfred Road, London W2 5EU

http://www.fernandogutierrez.co.uk/

U Royal Oak

Contacts / Fernando Gutiérrez  fg@fernandogutierrez.co.uk  and Michael Gibb

t 020 3214 3277

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An exciting ‘hub’ juxtaposed under a motorway flyover (in a good way) – GSA graduate Michael Gibb met us at the front door and led us through a collection of busy studios – lots of activity and a happy buzz about the atrium – this looks like a good place to work – Fernando greeted us and guided us through a selection of images – some were philosophical, some were metaphors and then backed them up with highlights from his portfolio – it was a masterful presentation giving us insight into his passion for research and simple ideas that communicate – his work for the Museo Nacional Del Prado in Madrid combines clever picture research with touches of classical and contemporary typography – Michael is a natural at Studio Gutiérrez, overseeing budgets and coordinating work with a range of international clients – great stuff!

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VISIT 4.00pm

HELLICAR & LEWIS

Studio 1.8, 1–5 Vyner Street, London E2 9DG

http://www.hellicarandlewis.com/

U Bethnal Green

Contact / Peter Hellicar  pete@hellicarandlewis.com

t 020 8983 3829

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Compact studio in the increasingly fashionable Bethnal Green (not far from A Practice for Everyday Life) – Joel and Pete greeted us and then took us on a journey of the things they have done, the things they would like to do and the things that inspire – what a double act – they dance around each other offering insight with attitude – two unconventional paths synthesised – Joel has a Mathematics and Computer Science degree from Imperial and then went to the RCA – Pete was riding skateboards for 25 years – GSA alumni Kieran Startup was doing his thing in the background – was that an elegant piece of interactive type on his Mac? – Pete showed us ‘stuff’ that he had made in the past and highlighted the value of drawing as a tangible way to express ideas – he showed us a book on rock music photography from the 60s and 70s emphasising the quality and creativity of pre digital images – hey, these guys love the play between analogue and digital – best thing to ask a client, “what did I do wrong?” – there is no lack of enthusiasm here, big thanks.

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Risotto

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Risotto have launched their brand new website, designed with other vis-com-des person Brendan Bennet.

Escapism

Concrete Flux Issue 3 – Escapism by viscomdes person Solveig Suess and designed with other viscomdes person Sophie Dyer, gets a write up from Kendra Schaefer. Sophie is joining us next week for this interesting project, via Feral Studio, which students of GSA are welcome to sign up to.

Turner Type

Duncan Campbell introduces the caseroom to the Turner prize.

It’s sunny in Dundee mostly

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Tentsmuir WW2 Coastal Defences

In the spirit of inter-institutional caring and sharing:

MANUFACTURED LANDSCAPES

Preview: Thursday 27th March 7pm
Exhibition Open: Friday 28th March 12 – 4pm, Saturday 29th March 12 – 4pm

The White Room project space, Tin Roof Studios. 38-40 Bellfield Street
Dundee DD1 5JD

Presenting an exhibition of work created by 3rd year Illustration Students from Duncan of Jordanstone College of Art & Design.

Come along to our show! It consists of hand printed posters and set designs for a series of imagined theatrical adaptations of plays exploring climate change, sustainability, urban planning and related social and political issues.

Exploring subjects such as:
Hydro Fracking, Gentrification, Micro-topias, Climate Activism, Nuclear waste disposal, Nuclear War, Social Housing, The melting ice caps, Surveillance, Community Gardening.

For more information please visit:
https://www.facebook.com/manufacturedlandscapes

Super Signs

Super Signs, by Vis-com-des person Gabriella DiTano, opens at the Arches on thursday evening.

Print Resource

Good Press have updated and expanded their already super-useful Print Resource. Includes a number of tips and endorsements from viscomdes people. While you’re there, you could also check out the Paper, a monthly-ish podcast come radio show. Edition 10 has a particularly good guest contribution.

Forming/Storming/Performing

(9) Forming/Storming/Performing - Glasgow -

Forming/Storming/Performing is a challenge, an exploration and a party.
Over one evening a publication will be created, from content and layout to printing and binding, by a small group of creative collaborators.

The title, format and print run will be determined on the night, using the theme of creative process as a starting point.

Saturday, October 5, 2013, 5:00pm until 8:00pm, The Pipe Factory.

via Forming/Storming/Performing.

Facebook Analog Research Laboratory

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Facebook Analog Research Laboratory is, well, odd. Wired magazine, the breathless pronouncers of all that is ‘new’, write about it here. At first glance it would appear that to enter this ‘research lab’ you need to be able to convincingly pretend to yourself that it is 1953, be comfortable with the idea of ‘self-help’, and have read all editions to date of The Little Book of Calm. From the image above, and those in the link, you’ll see that all boxes are ticked. Proofing press (with new lick of paint) – tick!, fixie – tick!, Miley Cyrus (hang on, is this some kind of topical bandwagon jumping? -ed), weird distinction between analog [sic] and digital – tick!…

I am on Facebook, but I really don’t get it, and all this makes me wonder what dynamics are at play here? If it’s a desire to seem human, handmade, authentic, then is that desperation or pure cynicism? Is the supposed reverence of ‘traditional’ tools and techniques an attempt to search for some inspiration, or filling a worrying void in someones life and experiences? I find facebook, from a user perspective, to be a strange combination of simultaneously compelling and boring experiences. This kind of cultish hipster fetishism pushes me one step closer to web suicide 2.0

There will be new rules next week

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Last few weeks to see this interesting exhibition, featuring the work of Sister Corita Kent, and responses by 5 artists, at Dundee Contemporary Arts. With friend of GSA viscomdes, Ciara Philips.

Indirect Distribution

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Pamphlet by Helmut Smits is simple, and, possibly, beautiful. Video.

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Two completely unrelated things i’ve just looked at on the internet; ARC – Journal of the Royal College of Art (they have a new website) and donottouch.org

New journalistic low for the ol’ blog.

Re-Brand hype

https://www.facebook.com/artschoolrebrand

http://www.scribd.com/bookings15/documents

POW if you don’t know about me

POW better ask someone quickly

’cause POW!